Announcement: Bowie Unseen by Markus Klinko arrives at Modern Rocks Gallery

We're delighted to announce the arrival of the critically acclaimed collection "Bowie Unseen" by Markus Klinko.

Klinko created the cover for Bowie's 2002 album "Heathen" and worked with him again for the cover of GQ’s “Men of the Year” issue with stunning results.

Markus Klinko is an award-winning, international fashion/celebrity photographer and director, who has worked with many of today's most iconic stars of film, music, and fashion. Klinko has photographed the likes of Beyonce, Lady Gaga, David Bowie, Jennifer Lopez, Britney Spears, Mary J. Blige, Mariah Carey, Kanye West, Anne Hathaway, Kate Winslet, Will Smith, Eva Mendes, Kim Kardashian, Naomi Campbell, and Iman. His editorial clients include Vogue, GQ, Vanity Fair, Harper's Bazaar, and Interview magazine. Brands such as Lancôme, L'Oréal Paris, Nike, Hugo Boss, Anna Sui, Pepsi, Skyy Vodka, and Remy Martin have hired Klinko to create advertising campaigns. His campaign for Keep A Child Alive raised over one million dollars for children with AIDS in just 3 days

Klinko created the cover for David Bowie's 2002 album "Heathen" and worked with him again for the cover of GQ’s “Men of the Year” issue. These two stunning photo sessions were bought together for the collection, "Bowie Unseen" which was released in 2016.

Not only can a contact sheet tell us the story behind an iconic image, these visually stunning and often thought provoking prints give a unique insight into the photographers artistic process and vision.

We love contact sheets so much, we've decided to dedicate a section on our website to them. Check out these interesting and unique prints by clicking HERE

Following the hugely anticipated opening of the Pink Floyd exhibition #TheirMortalRemains at the V&A Museum in London, we're proud to announce a new collection of rare and early shots of the band from June 1967 by photographer Andrew Whittuck. Many of these wonderful shots feature in the exhibition.

Andrew recalls "I had a friend who knew the Pink Floyd managers and they were keen for any publicity, since they had only been formed eighteen months before. So for the first shoot they all came to my studio/bedroom in my parents’ house in Hampstead with all their instruments and most importantly for me, with their lighting guy. The only illumination I used was the lighting they used in their gigs, a 35mm Kodak projector with glass slides with a mixture of oil/water and coloured ink. 

I also then accompanied Pink Floyd to Abbey Road were I took a series of black and white images of them whilst they were recording their debut abum 'Pipers at the Gates of Dawn'. After that I took photographs of them at the UFO Club, Alexander Palace and the Royal College of Art."